This post is part of a blog hop, which must be part of an E-version of a chain letter. Sarah Turner, author of Sarah In Small Doses, asked me to take part in a writing process blog tour. I agreed, but decided not to ask anyone else to do it. A part of me fears that by breaking the blog hop I may inadvertently bring nine years bad luck upon myself, suffer a broken leg, a case of hives, a love lost—or gasp—spill barbecue sauce on my favorite summer dress. Not to tempt fate or anything, but I like to live dangerously. Plus, I’m too lazy to E-mail someone else.
I Await The Devil’s Coming by Mary MacLane has a rather dangerous-looking cover doesn’t it? That’s why I bought it. I originally passed it up, reminding myself that I already had hundreds of books at home that I hadn’t yet read. Several weeks later, the striking portrait of that Lizzy Borden looking woman was still stuck in my head, so I returned and purchased the paperback.
Back to the blog hop. According to the chain letter, I’m supposed to answer four questions. So here goes.
1) What am I working on?
Thanks for asking. I’m currently working on a young adult novel series that has one of the most badass female protagonists ever, only she doesn’t know that, at least not right away. There’s nothing like an epic story line to help build confidence and chase a way a severe case of modesty.
2) How does my work differ from others of its genre?
I love this question because I think it’s really, really, important that artists continually ask ourselves this as we work. I have to separate my answer into two parts. The part first is about my growth as a writer.
When I started working on the last draft of my novel, I had the great stories in my head—The Wizard of Oz, Harry Potter, Hunger Games, etcetera. I kept asking myself, what made those stories so good? Why did they work? Why did I care, and why did they stand the test of time? The answer was that they were unique. They were totally newly imagined concepts.
This idea hit me literally the week I came across, “The 22 Rules of Storytelling, According to Pixar.” Number twelve on the list struck me the most:Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself. When these two ideas clicked for me, it was like I finally gave myself permission to do whatever I wanted on the page, and no, ordinary solutions and ordinary predicaments that protagonists find themselves in weren’t going to work for my story. The things that had already been done before were holding me back. So I cut them and went into “me” mode.
And for the second part of the answer, as far as I can tell, love stories and dystopian fiction are hot now and there’s a war train rumbling right through the middle schools as we speak. Our generation is pushing anti-war fiction pretty hard, and I’m in agreement with that.
My book is a bit of a spin on the anti-war / love themes, but I draw most of the material from my experiences with mental illness. It’s set in modern times, with some, well, minor otherworldly adjustments. But you won’t find ghosts, or vampires, aliens, or magic in this book. What I’m creating is something entirely new.
I don’t want to give too much away—I’m saving the juicy bits for my query letters next fall. Those otherworldly adjustments, the unique meat of my story, layer in with reality to create this world that possibly could exist…
3) Why do I write what I do?
First, I can’t not. Second, most of the reasons for my themes of love and war are too personal to get into in a blog post now. But the main answer is that I volunteer with youth who struggle with major issues like abuse, homelessness, and mental illness. As we all know from this blog, I also struggled with several of those issues when I was younger, too. I wanted to create something that could inspire kids who maybe don’t have the best situation at home. I wanted to create something that say someone struggling with depression or mania or anxiety could read and truly feel like they aren’t alone in that war.
4) How does your writing process work?
It varies depending on what I’m working on. For short stories, I keep a running log of jokes or things that make me laugh and when I get enough jokes I’ll sit down for a weekend and write a draft of a story using as many of those as possible. Then I let it sit in my computer forever before I decide to read it again and tweak it. The time I wrote a screenplay I went online and wrote a treatment of it first. Working from the treatment, I wrote the first draft in a little more than a month and a half.
What I try to do is create a schedule with weekly deadlines that I have to meet. I don’t get down to how much time I’ll work each day, but I make sure I meet my goals and reward myself when I hit big ones.
So there it is. Blog hop. It occurs to me this is the paragraph where I somehow tie all of this in with MacLane. I have nothing on this. Literally there is no way I can think to tie these things together. I would just like to say this, MM really judged her readers, and she lived under the pressure of their imagined constant judgment. On every page I was like, “girl I ‘ain’t judging you. Not judging at all.” And I want to point it out how that is a really paralyzing way to live a life, nineteen years old or not. At least she knew she was genius in this not so modest memoir. It’s interesting to think that if MM were alive today she technically would be part of my target audience…